Life Fantasia: the Art Exhibition of Chinese and Foreign Animation
- Categories:Exhibitions and News
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- Time of issue:2021-03-30 18:25
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(Summary description)Shenzhen:2020.07.18-2020.09.06
Life Fantasia: the Art Exhibition of Chinese and Foreign Animation
(Summary description)Shenzhen:2020.07.18-2020.09.06
- Categories:Exhibitions and News
- Author:
- Origin:
- Time of issue:2021-03-30 18:25
- Views:
Location
Shenzhen He Xiangning Art Museum
Exhibition time
2020.07.18-2020.09.06
Organizer
He Xiangning Art Museum
Co-organiser
College of Art, Jinan University
JC Animation Hall
Aha entertainment
Xiaobo Comics
Pinto Studios
Support Units
Guangdong Animation Artists Association
Guangzhou Animation Artists Association
Preface
The word "Animation" is derived from the Latin root Anima, which means "soul", and the verb Animate has the meaning of giving life. Animation has moved countless people of all ages infinitely. It is not an exaggeration to say that making animation is the art of creating life.
As a new art form, film and television animation has been developing at an alarming speed for more than a century since its birth in 1892. The vigorous life of various classic animation characters created during the period has not been weakened by the passage of time. Animation has now become one of the most important forms of entertainment and art.
This time, He Xiangning Art Museum and Jinan University College of Art and other units will bring to the audience the creation manuscripts of masterpieces of Chinese and foreign classic animations and new era animations presented with the latest technology. Classic animations include those represented by Shanghai Fine Arts Film Studio. Traditional Chinese animation, European and American classic animation represented by Disney, and Japanese classic animation represented by Studio Ghibli; New Era Animation focused on showing the representative of Pingta Studio, Aha Entertainment and Xiaofengyinghua , Highly interactive domestic animation and VR games. By reviewing the precious creation manuscripts of classic and excellent animation works, and directly feeling the sensory impact brought by the new era animation, we will jointly discuss the development trajectory and future directions of Chinese and foreign animation art.
Here, I would like to express my heartfelt gratitude to the partners, supporting organizations, and all people from all walks of life who provided help and support for this exhibition and seminar.
He Xiangning Art Museum
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